Sunday, December 4, 2011
Men On The Moon
I will have a piece for sale in the Spread the Word auction and benefit in Los Angeles on December 17th. You can buy tickets to the event here. This was a really fun project for a great cause. All of the artists received a paperback book from Mark Moore Gallery and were asked to make it into an artwork. Here is what I came up with..... "Men On The Moon":
Tuesday, August 16, 2011
Smudge
For the past couple of months I've been collaborating with the good folks at Attic Rep on the set design for their production of Rachel Axler's play Smudge. I'm headed down to San Antonio today for the opening and a couple of artist talks. It's going to be an exciting week! Here are the details and some press links.....
WHERE CONTEMPORARY ART MEETS THEATRE
AtticRep is proud to welcome Jade Townsend back to San Antonio with two special events celebrating his work at the McNay Art Museum and on our production of SMUDGE.
Jade Townsend returns to collaborate with AtticRep's artistic director Roberto Prestigiacomo, production designer Rick Frederick and local visual artists; Jeremiah Teutsch and Emily Barker to reinterpret his installation An Allegory of Taste: Between Here and There for the stage. This work was recently featured in the McNay's New Image Sculpture exhibition currated by Rene Barilleaux.
Artist Talk with Jade Townsend
Meet the artist and learn about his work
Blue Star Contemporary Art Center
Wednesday, August 17, 2011
6:30 - 8:00 PM
This event is free to the public
Matinee Performance and Talk-Back
Come to see SMUDGE and stay to discuss the process of adapting sculpture for the stage.
AtticRep, Attic Theatre, Ruth Taylor Theatre Building, Trinity University Campus, Stadium Drive entrance.
Sunday, August 21, 2011
2:30 PM performance followed by a talk-back
SMUDGE a one-act play by two-time Emmy winner, Rachel Axler is a dark comedy exploring the question: Can love conquer all? A couple struggles with the limits of love and cheesecake in the face of giving birth to a "smudge" instead of the expected child. The dark whimsy of this play fits perfectly with Townsend, whose work explores themes of displacement and allegory. SMUDGE opens August 18th and runs through September 4th, 2011 |
Performances Thursday, Friday and Saturdays - 8 PM Sundays - 2:30 PM Adults - $20 / Seniors, Military and Seniors - $18 / Students - $10 The Attic theatre seats 70 with no seat more than 10 feet from the stage. All seats are general so reservations or advance purchases of tickets are recommended.
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These conversations are brought to you in collaboration with our cultural partners, Blue Star Contemporary Art Center and theMcNay Contemporary Collectors Forum |
Tuesday, July 19, 2011
new drawing
Tuesday, June 21, 2011
The Dead Horse Inn
HISTORY
From 1891 to 1907, Plumb Island was occupied by a group of homesteaders who set up a series of shacks and tents that eventually developed into bars and inns. Because the island was outside New York City’s jurisdiction, alcohol and tobacco were tax-free. In 1907, the US army was sent by the city to break up the party and evict the homesteaders. The land was then leased to former judge Winfield Overton, who allowed the homesteaders to return shortly after his arrival. The judge quickly declared himself ruler of the island and began organizing boxing matches, which were also illegal in New York at the time. The US military was then called again to “depose the dictator” they had unwittingly installed.
In the 1930s, Robert Moses evicted the last homesteaders, demolished all of the remaining structures, and connected the island to the mainland by a strip of highway and a bridge now known as Exit 9B on the Belt Parkway, turning it into a run-down rest stop with public bathrooms. In recent years, the island’s parking area has become a regular rendezvous for swingers, and the surrounding woods have become a cruising spot for gay men.
MISSION
The Dead Horse Inn is a temporary bar that exists for only one night every five years, providing diversion, libation, and fresh crabs for a nickel. It was built from the excavated ruins of the shantytown that actually occupied the island from 1891 to 1935 and reclaimed flotsam from the surrounding area. It is meant to draw a connection between the current lay of the land and the similarly transgressive spirit of its former inhabitants. Plumb Island has always been a place where people socialize in ways otherwise prohibited in New York City. The human condition unfolds outside prescribed social boundaries, reacting and looking for free spaces, creating culture on the fringe of the city, where the land meets the water.